It’s 4 am and I just burnt the first demonstrative DVD for the concept animatic trailer for Myst: The Book of Ti’ana. I’m freaking out. After months- no- years of dreaming about doing this, it’s finally done. Something tangible, something for others to see – something to throw in people’s faces to say that no, we haven’t been wasting time for this last year – we’ve actually been doing something.
Adrian’s not as enthusiastic as me. While we both knew that we weren’t going to have time to rerecord all the dialog for the animatic and had pretty much accepted it, he’s still uncomfortable with his voice playing every part in the thing. Like I’ve said a million times, I don’t mind it – alongside the sometimes less-than-desirable boards and a couple chirps of a broken music shift here and there – it keeps the notion alive that this is a draft conceptual piece. We’re not pretending that it’s anything else, and it is in no way representative of the scope that we’re wanting to achieve with a live action trailer – it’s just about the tone. And the tone is the hardest thing to express with words alone.
A couple of days ago, I went on a long drive to clear my head and ended up on the west side of town. I slowed down as I passed the old school that we were thinking of using for shooting Passage to K’veer and trailed off in my head for a few minutes wondering about the future. The next several months are going to be very defining regarding what we’re doing with this whole thing – and I’m hoping to God that this isn’t the end of the road. Adrian already has a meeting scheduled with Chris S. from MAF and we’re all hoping that she can help point us in the right direction for our next step. Somehow, though – I get this feeling that we’re going to be on our own – wading solo through all the potential answers to the big question: where to find the hundreds of thousands of dollars needed to turn this animatic into a live action calling card. Maybe the animatic will be enough attention from a couple of angel investors. Maybe not.
In the meantime, I’m pretty pleased. I watched the animatic hundreds of times as we were putting the thing together bit by bit but there is something different about seeing the thing fully rendered in all of its glory. Last night after making a couple of test burns, I couldn’t help help but sit in front of the TV watching the last two minutes over and over again. I imagine that some people would consider me arrogant for spending so much time reveling in my own work. But, I’m just really, really thankful that we’ve finally been released from the enslavement this thing has had us in for the last several months – and at the same time, amazed that we even pulled this damn thing off.
Note from the creators: As with any conceptual piece, this presentation carries a number of recorded music samples from arenas across the entertainment industry. It is not the intention of the creators to infringe on any copyright laws or to represent the work of any party with any intention of profit. Copyright of music samples contained in this presentation remain in the hands of the respective creator.
Musical Elements Provided By:
Hans Zimmer – Tears of the Sun – Cry in Silence
Hans Zimmer – King Arthur Soundtrack – Hold the Ice
Hans Zimmer – King Arthur Soundtrack – All of Them
Howard Shore – The Lord of the Rings Soundtrack – The Passage of the Marshes
Hans Zimmer – King Arthur Soundtrack – Another Brick in Hadrian’s Wall
Hans Zimmer – The Last Samurai – Idyll’s End
(Clint Mansell) Simone Benyacar /Dan Nielsen /Veigar Margeirsson – The Lord of the Rings: The Two Towers Trailer – (Lux Aeterna) Requiem for a Tower
Hans Zimmer – King Arthur Soundtrack – Budget Meeting






