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For The Press - A Project Summary

May
09

Talk of the Nation featured an interview with writer Malcolm Gladwell the other day.  He has published an article in New Yorker  called “How David Beat Goliath”.  I found this subject to be quite interesting and rather relevant to this lovely little venture we’ve embarked on.

The premise of the article is as follows:  There are both Davids and Goliaths in any aspect of life.  There are Goliaths - those who are established and have the power to determine the rules - thus having the advantage - and there are Davids - those who are outnumbered, unestablished and  at a significant disadvantage when pitted against Goliaths.  If we look at the original story of David and Goliath, we will soon recognize that it was through David’s acts of unconventional tactics and heroics that he was able to defeat his foe.  This particular paradigm is repeated throughout the accounts of David’s life as king.  By using this story as a template, the article suggests that breaking the rules ultimately offers the underdog a significant advantage.  Interestingly though, in many (if not most) cases, when a conflict arises between a David and a Goliath, the David will follow the rules that the Goliath has set forth for battle.  The result is a loss.

The key seems to be in knowing just enough about how the system works, but also being removed enough from the establishment to be able to make unique assumptions - inspired by different experiences - and apply them to the challenge at hand.

Thus far, we’ve found this particular model to hold true.  We have approached the “Myst” film from a rather unique angle.  We have not followed the conventional route and this has led to some major accomplishments - not the least of them being a procurement of the option.

Ingenuity, audacity, and a rejection of the established ways of doing things.  This will be our motto, I think.

5:26 pm

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myst fanatic
May 09 2009

Amen! That is totally true. Keep that in your mind,and everything will seem so much more worth it!



Hehe, I’m behind that idea. And I agree with you, the fact that you guys DIDN’T go with the classical Aitrus-and-Ti’ana-making-love-on-a-beach-with-monkeys idea is such a big shift that it challenges the status quo.

Tho I agree with you. Challenging Hollywood with a project this ambitious will be… difficult to say the least.

We’re all behind you guys, keep trucking.



Or, put another way:
If you can’t win playing by the rules, change the rules.



Going the unconventional way is always cool. There is too much typical Hollywood stuff, and this film could be a real breather. Independent film projects are always nice.
I have total faith this will work, keep at it!



blackmesaboy
May 09 2009

Yeah!!! Who says you guys have to be like anyone else? You do things the way you want and don’t let anyone else tell you how to do this movie!! Man, I can’t wait till this movie comes out! I saw Star trek today, and before the movie they showed trailers for Transformers, Terminator, and G.I. Joe. All 3 gave me chills. I can imagine going to the theatre in the future and seeing the Myst trailer. Forget chills! That thing will make my head frigin explode!!!!



Flowerpower
May 10 2009

Myst Fans Unite!!!
Just say the word and we’ll petition whatever production company you want. Paramount- no problem.
Universal- We’ll bother them until the end of the universe
etc.
Let’s break the shackles of convention :-)
Mwhaaaaaaaaaaaaaaaa!!!!!!



The stranger
May 10 2009

“Universal”

Yes please!



Universal - absolutely! There’s nothing like a little Universal appeal! (Sorry, it was begging to be said.)

That way, it’ll be more likely to eventually end up on the Sci-Fi (or whatever it’s calling itself these days) Channel.



Mister Cloak
May 10 2009

LOL it all SOUNDS good, in theory. However, wouldn”t Maybe you could start by breaking some laws, you know, make a name for yourself as outlaws, banditos, a couple of WILD and KARAAYZAY guys. Then, once everyone knows your name tell the studios you want to do a movie about yourselves and then drop the Myst script on them.



Flowerpower
May 10 2009

For starters, how about changing the Hollywood sign into Mystwood?



KatrAnna
May 10 2009

“In a fair fight, I would beat you!” “Well, that;s not much incentive to fight fair, is it?”
-
blackmesaboy: I saw Star Trek in Imax yesterday, and I’m going again tomorrow. Whic leads me ask A+P: Myst in Imax? Yes?



myst fanatic
May 10 2009

KatrAnna: yes…. YES!!!!!! COME TO PAPA!!!! IMAX!!!!!!! :D :D :D :lol:
-
I could totally see Myst being a hit in Imax. I mean, there is the whole scene with saving Veovis in the great shaft that has Imax potential. There are the Age flybyes (I expect very good flybyes). The attack against the ink works. Ti’Anna going GI Jane on Veovis’s and Aegearis’s little sceme island place. And, for the grand finale, the cloud of nautioius gas spreading through D’ni….
-
In short, I believe that Myst was born to be in Imax…. Whether in 3D or on an extremely big screen, it was made for it…. DO IT! DO IT! DO IT! :lol: ;) :patrickjudgingface: :adriandeadface: :ridiculous: :adrianface: :adrian2face: :lol:



blackmesaboy
May 10 2009

Imax!! IMAX!!! Wow, I feel dizzy…



MystFanatic: Apparently flybys aren’t canon, the window is just a scene, like in Uru, but it’s very much alive, not just a “photo” either.



Actually I forgot this is really non-canon lol
Flybys please :D



How about we forget about any preconceptions of canon and remember that this movie is going according to their own über-canon.



Oooo, an umlaut! I like umlauts! They make me happy :)



myst fanatic
May 11 2009

If there aren’t flybys in the movie, there should be a dedicatory movie for the myst games in 3D Imax. Can you imagine how cool the cutscenes of Exile would be? Like the marble roller-coaster!!!!! THAT WOULD BE EPIC!!!!!! WOOOT!!
-
But my vote is definitely for flybys… (*crosses arms like I’m not chaning my mind*)



Flowerpower
May 11 2009

Myst Fanatic: Totally agree (also crosses arms)



Well, the opening scene of the movie should definitely be a fly-by of the D’ni cities, with the Main Theme and Opening Titles.



Ok, I’ve got to break the good ol’ tolerance bubble and say something here: David wasn’t the hero of “David and Goliath”. God was, and is.

Oh, and yes, I’m also voting for the flybys. The swirly picture in the animatic trailer seemed a little too vague. :D



myst fanatic
May 12 2009

Zenoc2: well…. you’ve got to give Adrian and Patrick a little leiway on that one (I KNOW! I SPELT IT WRONG!!!!! >:( ). It would be pretty hard to draw a perfect linking panel on just paper. I mean, it would have to be, like, a perfect picture….



Epicurus
May 13 2009

How odd…not long before I sat down at my computer I finished reading the same article. Serendipitous.
Keep in mind, however, that Gladwell did a careless job of defining his terms and sticking to those definitions (a common mistake of his, for the record). When he repeatedly says, “the underdogs have their best chance when they break/modify the rules,” he’s actually just being dramatic, as surely in his oft repeated example of David and Goliath, David did not change the rules by slinging a rock at the big man’s head, but he did change his STRATEGY. It was surely within the “rules” of warfare to kill your opponent. But the idea of changing one’s strategy when the chips are down and your up against the wall doesn’t seem too world-changing, so the dramatic Gladwell opts for the much more grandiose phrase, “change the rules.” Perhaps, more accurately, is that the so-call Goliath in each example believes in his strategy so strongly, so unwaveringly, that he believes his strategy is more than just that, but also constitutes the rules of conflict. And, as such, cannot break from his strategy even when it is obvious that he is losing because his initial strategy had become moral dictum. (i.e. our dogmatic failure in Iraq and Afghanistan. How do we win the war? More troops!)
That seems to me to be the more relevant, precise, and actionable conclusion to make from his gathered data. Goliath mistakes strategy for morality, or at least imperturbable convention. Since Goliath is set in his dominant ideology (a cementing of the phrase, “if it ain’t broke, don’t fix it”), then David’s two key tasks must be to clearly identify Goliath’s strategy and to construct a model counter-strategy.
Just remember: strategy, not rules. If you think you need to break the rules of filmmaking, then you’ll be like Micheal Bay twisting and turning your camera for its novelty.
…Or filming unnecessary flybys.


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